Summer 2016

  After some time on the canal, I’m spending this month travelling around in the van, fitting in family events along the way. I’ll be sketching as I go, so will hopefully be posting as I can, or more likely

Onpaper Printmaking contest 2016

My ‘urban reflections’ linoprint is on display in an online exhibition here at ONPAPERCONTEST 2016 as part of the 2nd International ON PAPER printmaking competition, organised by the Barcelona-based artists’ organisation, Sala Ramona. 12 artists have been selected for the final exhibition

uphill

‘uphill’ iscurrently at the framer’s in readiness for the RBSA Prize exhibition in Birmingham, from 4th May until 4th June, 2016. I’m very pleased to have had it accepted. I love working in pastel. It’s such a fresh and direct medium. For

Fieldwork printing process

In response to a couple of questions I’ve had about the process, here is some additional info and a couple of slideshows showing the multi-layer printing process I used for the fieldwork prints. I used the reduction method on linoleum, where

fieldwork

I have just finished these three small reduction linocuts, based on some quick watercolour and pastel sketches I did in Wiltshire last year. The open landscape there is one of rolling downs, long bare ridges dotted with copses of trees (‘hedgehogs’),

the pathless wood

‘the pathless wood’. The title is a reference to a line from ‘Birches’, a poem by Robert Frost. ..when I’m weary of considerations, And life is too much like a pathless wood.. When life feels like that, I go for a

green winter

A short January walk in South Staffordshire; a mild winter up until mid-January, the fields rich with growth, the low mid-day sun silhouetting bare trees against rain-laden skies, stretching shadows across the vibrant greens; standing still against the breeze, trying to

More sketching en plein air

More painting en plein air, this time in 25cm x 25cm format. I like fitting the composition into the square.

Exhibitions June/July 2015

Over the winter, I spent some time trying to force a reconciliation between the work I do as a printmaker and the work I do as a painter. Both start from direct observation and resultant sketchbook work. But then they diverge.

Sketching en plein air

A cool May here, but the combination of fresh air, intense colour in the landscape and the ever-changing light is not to be missed. Sketching outside is at the same time challenging and rewarding, frustrating and calming, intense and relaxing. There’s

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