fieldwork

I have just finished these three small reduction linocuts, based on some quick watercolour and pastel sketches I did in Wiltshire last year. The open landscape there is one of rolling downs, long bare ridges dotted with copses of trees (‘hedgehogs’), slow rivers, ancient market towns and stunning neolithic and medieval monuments.

The soil is chalk-based, providing glimmers of white to pewter shining through the crops and grasses; the cloud shadows and sunlight fold across the contours of the land adding subtleties of colour and tone. Endlessly changing but eternal.

I printed them on my much-longed-for, brand-new etching press from gunning arts. There’s no stopping me now.

Prints:

Fieldwork 1, 10x10cm, 2016, multi-layer reduction linocut
Fieldwork 1, 10x10cm, 2016, multi-layer reduction linocut
Fieldwork 2, 10x10cm, 2016, multi-layer reduction linocut
Fieldwork 2, 10x10cm, 2016, multi-layer reduction linocut
Fieldwork 3, 10x10cm, 2016, multi-layer reduction linocut
Fieldwork 3, 10x10cm, 2016, multi-layer reduction linocut

Sketches:

watercolour and pastel sketch
watercolour and pastel sketch 1
007
watercolour and pastel sketch 2
008
watercolour and pastel sketch 3

Two of the prints have been accepted for the Seacourt International Mini-print Biennial at the Centre for Contemporary Printmaking in Bangor, Co. Down, Northern Ireland, showing from 7th April to 20th May 2016. I hope to get over to see this exhibition, very much looking forward to seeing the work of all the participating artists.

2 thoughts on “fieldwork

  1. Very well done with the exhibition. I like the colours you’ve used. Hiw fantastic to have a press now. Presumably you got it upstairs somehow!
    I also very much like your pastel sketches. It would be lovely to see them bigger.

    1. Fiona Mill says:

      Thanks Clare, It’s not one of the bigger presses, but it still took three of us to get it up all the stairs! Thanks for the hint, I’ve edited the post to enlarge the sketches a little. x

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